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Posts tagged: ellis

… but he has nothing to sell but ads.


Information, when contextualised by the appropriate intellects, is the means of production.


Warren Ellis, 2013

Machine Vision 044: Connections

I love all wild and ancient landscapes. I’ve stood under the geysers at Geysir, walked the Ridgeway in the West Country, been pulled through Lappish forests by dogs in winter and just stood and breathed in the Arizona desert. The presence of deep time.


Warren Ellis, 2013

The WELL: Warren Ellis - Gun Machine

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Note: text and photo are almost synchronous (March 3rd, ~ 1am).

So the future isn’t a boot stamping on a human face, forever. It’s a person in a beige business outfit advocating beige policies that nobody wants (but nobody can quite articulate a coherent alternative to) with a false mandate obtained by performing rituals of representative democracy that offer as much actual choice as a Stalinist one-party state. And resistance is futile, because if you succeed in overthrowing the beige dictatorship, you will become that which you opposed.


Charles Stross, 2013

Political failure modes and the beige dictatorship - Charlie’s Diary

Note that I totally disagree with Charlie, but I agree with Warren Ellis to quote it: when I read it in Charlie’s blog, I thought of tumbling it because the problem is so well delineated and well written. I didn’t do it because I found it too depressing at the moment.

Of course Charlie’s observation is right as any description of inertia force can be: it exists in any system. But IMHO it underestimates the power of the individual and the network effect in an interconnected world. If gangnam style can go around the world in one week, a movement of individuals, one by one, can also gain a tremendous momentum. We’ll see.

NEVAAAAAAAAAAAR


Warren Ellis, 2013

answering the question by James Alex Davies : “If you got to choose, how, where and when would you like to die?”

In case you missed it, the glorious trailer for Warren Ellis’ new novel Gun Machine. Narrated by Wil Wheaton. Illustrated by Ben Templesmith. Directed by Jim Batt.

via thisisgunmachine

This may be the end of the cycle that began with Friendster and Livejournal. Not the end of social media, by any means, obviously. But it feels like this is the point at where the current systems seize up for a bit. Perhaps not even in ways that most people will notice. But social media seems now to be clearly calcifying into Big Media, with Big Media problems.
Tetrad

Marshall McLuhan, 1988


The tetrad is a means of examining the effects on society of any technology (i.e., any medium) by dividing its effects into four categories and displaying them simultaneously:    What does the medium enhance?    What does the medium make obsolete?    What does the medium retrieve that had been obsolesced earlier?    What does the medium flip into when pushed to extremes?The laws of the tetrad exist simultaneously, not successively or chronologically.



via Warren Ellis

Tetrad

Marshall McLuhan, 1988

The tetrad is a means of examining the effects on society of any technology (i.e., any medium) by dividing its effects into four categories and displaying them simultaneously:

    What does the medium enhance?
    What does the medium make obsolete?
    What does the medium retrieve that had been obsolesced earlier?
    What does the medium flip into when pushed to extremes?

The laws of the tetrad exist simultaneously, not successively or chronologically.

via Warren Ellis

The paintings proceed in pairs or groups aligned by subject.

The textbook simplicity of this format is irresistible. The visual self-schooling particular to looking at art kicks in, and almost before you know it your eyes are off and running, darting back and forth, parsing differences in style, brushwork, color, detail and overall effect, the expression of emotion that Matisse said he was always after.


Roberta Smith

Evolving Toward Ecstasy Matisse Exhibition at the Metropolitan Museum of Art - NYTimes.com, 2012

Related: Matisse at MoMA: Carving With Color, 2010


This is a note about presenting art in animated sequences, as described (ref posts on the topic by Warren Ellis). Also, when Roberta Smith is in sync with an artist, her prose is literally enchanting.

You’re a writer — or an artist — or you’re not. It sounds harsh, but, seriously, not everyone’s wired for this stupid life. If you think you are, then you have to write around the block. Anything that takes your fancy. Just get words happening. The rest will follow. Best of luck.